Here Comes Santa Claus! The Jolly O’ St. Nick welcomes children of all ages for enchanted visits filled with holiday magic. Located in Center Court on the shopping center’s Lower Level, visits to Santa Celebration will begin Saturday, Nov. 12 through Saturday, Dec. 24. Set amongst 25 garland-topped light curtains (each adorned with thousands of white, glistening lights) and candy-cane inspired twists cascading from high above, Santa Celebration will feature an authentic Kris Kringle perched in his grand velvet chair on an elevated platform behind his adoring guests.  A bright and cheery, red photo frame sits in front of the famed wish-fulfiller proclaiming, “Holiday Joy.” Photo reservation and schedule page coming soon! Santa Photo Special Events Santa’s Luau! - Wed, Nov. 30, 4pm – close. Santa may work in the cold during the holidays, but he loves the tropics too! Don your best Hawaiian gear and join the fun! Santa Cares Day – Sunday, Dec. 4, 10am – 11am and Sunday, Dec. 18, 9am – 10am. Visits with Santa for those community members with special needs including and beyond that of autism. Children and adults within all spectrums of special needs and their families are welcome to their sensory-friendly event to experience

Northeast Feltmakers Guild Juried Exhibition JURORS: Wes Sherman and Patricia Spark EXHIBITING ARTISTS: Sibel Adali, Leslie Alexander, Colette Ballew, Marsha Biderman, Robin Blakney-Carlson, Josephine Dakers-Brathwaite, Judith M. Daniels, Linda Doucette, Lyn Falcone, Susan Getchell, Rae Gold, Carol Ingram, Kerstin Katko, Denise Kooperman, Helene Kusnitz, LadyK, Cathy M. Lovell, Rachel Montroy, Charlotte Moore, Irina Moroz, Malgorzata Mosiek, Joy Muller-McCoola, Sara Pearsall, Debbie Penley, Stacey Piwinski, Etta Rosen, Barbara J. Ryan, Cathy Schalk, Ellen Silberlicht, Catherine Stebinger, Dayna Talbot, Linda Tomkow, Christine Vogensen, Nancy Winegard, Miriam Young “My first exposure to the medium of felt came through Joseph Beuys’ art, and his many uses of felt (e.g. “Felt Suit,” “Plight,” and “Sled”), as well as Robert Morris’ industrial felt abstract sculptures. This early exposure, more than twenty years ago, helped me see wool, and other soft materials, as a medium for rigorous artistic exploration. The submissions for this exhibition presented many wonderful uses of felt. The first time through the entries I looked at everything and then took a long break—returning the next day. At that point, I selected the work that had stayed with me from the previous day. The next review was more difficult. I had to eliminate several really good works